
2026le pont-de-claixÎles de Mars · Olympiadesfrance
sans mur
In Îles de Mars and Olympiades, in Le Pont-de-Claix, young people photograph their neighborhood, give each image a title and a caption, then go and interview their elders in front of a camera.
- formats
- mediums
- place
- le pont-de-claix · Îles de Mars · Olympiades
- partners
- APASE 38
- public presentation
- The exhibition “sans mur” at the Îles de Mars sports court, opening on September 12, 2026: banners of titled and captioned photographs, collages on plexiglass and filmed excerpts from the interviews.
Point de vue is a documentation workshop run in Îles de Mars in the summer of 2026 by APASE and mOst, with the young people of Îles de Mars and Olympiades. Its principle fits in one sentence: the neighborhood is not described from the outside, it photographs itself, captions itself and asks itself questions. The bend at the entrance to the neighborhood, the tower people call “the TV,” 2 rue Stendhal, the mosque, brothers, cousins, a ball, the sports court: each photo was chosen, titled and captioned by the person who took it.
The young people also wrote a text together to present their neighborhood: “We're determined to get through every door, and we'd like people not to get in the way of our will to make it.” Then they went and sat down in front of their elders, camera in hand: Aziz, fifty years here; Abdelkrim and Amir; Akbel and Aïda, who keep the Casa des Îles going; Monsieur Meghraoui, who arrived in Le Pont-de-Claix in 1958. They are the ones asking the questions.
The title comes from here. For years, a fence and then a wall separated Îles de Mars from Olympiades; their text even begins with a slash, “Îles de Mars / Olympiades”. The wall is gone, and none of the generations they met misses it: “now we're one neighborhood, and that's good”. These images and voices open an audiovisual documentary project about the neighborhood.
atterrir
From the globe down to the street: an immersion in the neighborhood and the exhibition, with the banners on the fences, the posters in the entrance halls, the plexiglass panels at the entrance of the towers.
the interviews
three generations, one neighborhood
Camera in hand, the young people went to see their elders. Aziz remembers the doors that stayed open, the chestnuts in October and the open-air swimming pool; Monsieur Meghraoui, who arrived in 1958, can no longer find the old-timers he knew; Akbel and Aïda keep the Casa des Îles going, at the foot of the buildings. Where does the neighborhood's name come from? From marshes under the towers, says Aziz; from floods one March, says Abdelkrim. Nobody settles it.
“We felt like Tom Sawyer.”
“It was a turf war, completely ridiculous. Now we're one neighborhood.”
“There's no Chicago here.”
“It would be good if other generations took over.”
Aziz, Akbel, Monsieur Meghraoui and Aïda, in the interviews of summer 2026
photographs and captions: the young people of Îles de Mars and Olympiades, with APASE
the exhibition
sans mur, banner by banner
At the sports court, banners took the place of walls: on each one, the young people's photographs, their titles and captions, then portraits of the people they interviewed.
wall 04

« abdel karim » de la boucherie bali
I've known him since I was a child, since I was a tiny baby. We went through childhood, youth, adolescence together, almost up to now. Ups and downs, but we never let each other go. He's like my brother. He sets an example by working hard. I hope he opens his bakery. He takes care of the family. He's a really good person.
wall 09
photographs and captions: the young people of Îles de Mars and Olympiades, with APASE
in pictures


























photos: the workshop participants and the mOst team
the exhibition
Fourteen banners: the young people's text, their titled and captioned photographs, “the TV,” the sports court, the mosque, and the interviews with their elders.

































