gallery

The online gallery gathers fragments of projects: photographs, exhibition views, drawings, maps, photograms, images from film shoots, and workshop moments. It lets you discover the variety of places and forms while keeping each piece connected to its context.

We don’t present images as a stock library cut off from the people who created them. Each series should come with a title, a place, a date, a short text about the approach, and, when possible, credits for the participants, artists, and partners. The caption is part of the work and protects its meaning.

The selection favors coherent sets over sheer accumulation. A gallery can follow a route, show several generations, put images and maps side by side, present the stages of a residency, or bring two places into dialogue. It shows the process as much as the final result.

Some work is not meant to be shared openly. We respect the decisions made in the workshops and distinguish between public images, images reserved for a local exhibition, and images that must stay in the archive. The gallery isn’t meant to make everything visible, but to share, with care, what can be shared.

You can browse by project format, medium, city, or year. This structure makes mOst’s continuity visible: returns to the same neighborhoods, evolving partnerships, international exchange, and a wide variety of public presentations. It also lets participants find their own project without it getting lost in general communications.

Finally, the gallery is a space for passing things on. It gives future participants concrete examples, helps partners understand the quality of the work produced, and shows how one method adapts to very different contexts.